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MURAL AIRBRUSH PAINTING
Smoke Rhythm Design

The concept of rhythm design in art represents the easy movement of the viewer’s eyes following a wave composition elements in the art work. There are several ways to move the eye through a painting and rhythmic has its emotion of elegance and grace.

Mural airbrush painting with the theme - Smoke Rhythm Design - by Richard Ancheta, Montreal.
Mural Airbrush Painting - Smoke Rhythm Design - Vllusion - St-Denis, Montreal
Elements of composition helps to lead the viewer's eye across the painting, to get the viewer's eye from one edge to the other there needs to be something that will keep them looking, moving from one bit to another. Streamline attraction with the transitions of color spectrum gives its appealing design.
Mural airbrush painting with design center display - by Richard Ancheta, Montreal.
Mural Airbrush Painting Smoke Rhythm Design Center Display - Vllusion - St-Denis, Montreal

Streamline is the path of a particle in a fluid relative to a solid body past which the fluid is moving in smooth flow without turbulence, a contour designed to minimize resistance to motion through a fluid (as air), a smooth or flowing line designed as if for decreasing air resistance.

Rhythm in art, or the tempo can also be achieved by how the elements are placed within the composition, if elements are placed in a predictable manner they form a pattern. This pattern resembles a musical movement or fluid and flowing appreciation of the artwork. This pattern denotes order, the sequence of the order is what creates the ‘tempo’ of the rhythm.

 

Mural airbrush painting with lounge  display - by Richard Ancheta, Montreal.
                  
                  Mural Airbrush Painting Smoke Rhythm Design Lounge Display -  Vllusion - St-Denis, Montreal
Mural Airbrush Painting Smoke Rhythm Design Lounge Display - Vllusion - St-Denis, Montreal

Ending the rhythmic flow are defines in thin and thick lines, getting waves thinner and vanishes waving.

Mural airbrush stage 1, white opaque base color agaist blue background.
Mural airbrush stage 1, white opaque base color agaist blue background.
From sky blue background, white opaque colors is the technique base to pop up the preceding layer giving its vivid colors.
Mural Photoshop sketch design by Richard Ancheta - Montreal.
Mural Photoshop Sketch - Smoke Rhythm Design by Richard Ancheta - Montreal
Designing in Adobe Photoshop using gradients, brushes, curves and tools is the fastest for sketching and designing a presentation.
Iwata Revolution Airbrush
Iwata Revolution Airbrush

Using this Iwata Revolution airbrush artist gives me confident in manipulating the thinnest lines that wish to produce, the quality are expecting in every application.

 

AIRBRUSH

An airbrush is a small, air-operated tool that sprays various media including ink and dye, but most often paint by a process of nebulization. Spray guns were developed from the airbrush and are still considered a type of airbrush. An airbrush works by passing a stream of fast moving (compressed) air through a venturi, which creates a local reduction in air pressure (suction) that allows paint to be pulled from an interconnected reservoir at normal atmospheric pressure. The high velocity of the air atomizes the paint into very tiny droplets as it blows past a very fine paint-metering component. The paint is carried onto paper or other surface. The operator controls the amount of paint using a variable trigger which opens more or less a very fine tapered needle that is the control element of the paint-metering component. An extremely fine degree of atomization is what allows an artist to create such smooth blending effects using the airbrush. The technique allows for the blending of two or more colors in a seamless way, with one color slowly becoming another color. Freehand airbrushed images, without the aid of stencils or friskets, have a floating quality, with softly defined edges between colors, and between foreground and background colors. A well skilled airbrush artist can produce paintings of photographic realism or can simulate almost any painting medium. Painting at this skill level involves supplementary tools, such as masks and friskets, and very careful planning. Some airbrushes use pressures as low as 20 psi (1.38 bar) while others use pressures in the region of 30-35 psi (2-2.4 bar). Larger "spray guns" as used for automobile spray-painting need 100 psi (6.8 bar) or more to adequately atomize a thicker paint using less solvent. They are capable of delivering a heavier coating more rapidly over a wide area. Even with small artist airbrushes using acrylic paint, artists must be careful not to breathe in the atomized paint, which floats in the air for minutes and can go deep into the lungs. With commercial spray guns for automobiles, it is vital that the painter have a clean air source to breathe, because automotive paint is far more harmful to the lungs than acrylic. Certain spray guns, called High-Volume Low-Pressure (HVLP) spray guns, are designed to deliver the same high volumes of paint without requiring such high pressures.